Storm the Gates of Hell

“Storm the Gates of Hell” is the title for the latest album from the Metal band, Demon Hunter. I had quite high expectations for their newest album since I loved the previous one (The Triptych). I got the ‘Special Edition’ of the album as I like to watch interviews with the band members and hear their commentary about the album. What follows are some thoughts from a fan so it might not exactly be a dispassionate critique of the pros and cons of the musical complexities expressed in this album. So here we go…

One thing that impresses me of this band is the whole presentation of the album. The covers and the booklets are well designed. The cover design is a departure from the conventional CD cover design (a positively artistic departure at that):

I like how the cover opens like a door; Hell’s door with the logo of the hunted demon on it. The demon is ‘hunted’ because of a hole in its head–presumably made by the Hunter’s weapon. I liked the symbolisms. As you open the doors you see a statement on the inside of the doors…

“Hell Hath No Fury At All”

I liked the very bold statement. This statement of rebellion to dark forces is very appealing in the midst of bands that sing about embracing darkness. The irony is that those bands that sing about embracing darkness started out as a rebellion themselves! Now there are so much of them that they are the “mainstream” and bands like Demon Hunter are the rebels!

All this prepared me for the sonic pleasure that awaited. As usual, I played the CD in my home theatre and the first song was “Storm the Gates of Hell”. The start sounded like the stampede of the hunters and the hunted but what followed it could only be best described in the words of the bassist, “…pure aggression from beginning to end, no ceasing, no letting up, no choruses, not giving you chance to breathe…y’know just pummeling from beginning to end…”. Nearing the end of the song, the phrase “Hell hath no fury at all” was screamed/growled by the lead singer Ryan Clark with ’squealies’ flying off the guitars like arrows in the background. It…was…pure headbanging awesomeness. A phrase like that found its ultimate expression from the mouth of Ryan Clark. It really does makes one think, “Hell hath no fury at all”, indeed. Oh yeah, I was screaming it in my mind too since I did not want to ruin Ryan’s vocal performance by doing it audibly myself.

The song “Sixteen” captured my interest. It had guest vocals from Bruce Fitzhugh of Living Sacrifice. The vocals by him reminded me of the album Burning Bridges by Haste the Day. It was different and dare I say a bit refreshing as well. This type of growling is one of the deepest and darkest form of vocals I have heard. When a whole album is comprised of vocals with only one type of vocal style it would get rather monotonous and grow stale before you know it. The original vocal style would then quickly become unoriginal. However, employed like in the song “Sixteen” it adds to the texture of the song very well while maintaining variety.

August Burns Red: Composure

This video made me buy August Burns Red’s album “Messengers”. I guess Solid State Records have successfully marketed this band. Just look at the number of views this video alone has got: ~ 900,000 hits. That opening riff is one of those lovely “build-up” intro I heard in a long time. That stuck in my head for one whole day- my brain had recorded the riff and put it in repeat. The drummer of this band is one of those guys that remind you throughout the song that it is because of him alone that the song sounds awesome. All the riffs and screaming would amount to nothing if there wasn’t this drummer doing his thing. As a guitarist it gives you a humbling thought. Matt Greiner, I salute you.

The album is a very good specimen of Modern Metal. One criticism is that 10 out of 11 songs kinda sounded similar in structure with that ever-present short pause between the Intro and the Verse adding to the monotony. Other than that, the guitarists are literal riff machines! Each song has at least 10 riffs–it leaves your head spinning as you come to terms with them.

I’m pleased that the band is coming to UK on a headlining tour. W00t! London, November ‘08 here I come!

Josh Myers Band Rocks!

This has got to be one of the little Jem that I discovered in music this year. My personal music collection was a little low on Instrumental Music, so I was searching around and found the Josh Myers Band. After looking at some videos of the band at YouTube, I ordered their album Soul Serenade Sessions.

Put it in my home theatre and was treated to an hour of inspiring and beautiful music. I loved the very soulful style of the lead guitarist Josh Myers. I’m one of those people who likes shredding in moderation while relying on melodies. That is exactly what one finds in Josh. This guy has inspired me quite a lot and I like to listen to this album to observe and learn how the various riffs have been put together in creating a seamless song.

The guitar tones in some of the songs made me have “Eureka” moments. In fact some of the tones represent the ideals I aspire of achieving. Let me try to describe the some things I loved in this album:

Live and Unsigned 2008 Finals: A review

I attended the Live and Unsigned 2008 (UK) contest for the Under 18’s on the 28th of June. It was the Grand Final of the competition. I was excitedly looking forward to seeing the cream of the crop of all unsigned English bands. It was due to an unlikely turn of events resulted in me being there. I was not supposed to have gone….

There were some very good vocal performances in some bands while others left a lot to be desired. But one wouldn’t deny the talents of the musicians who were at this level of competition.

As the curtains went up,